The shorter English version of this seminal collection of criticism and interviews may be only 292 pages, but Tom Milne’s translation and commentary are exemplary, and there’s no other volume of criticism from Cahiers du cinéma that has influenced me as deeply. “Charles Portis has long been acclaimed as one of America’s foremost comic writers. Although I disagree with much of it, Wood always demands to be taken seriously. A Life in MoviesMichael Powell, Heinemann, 1986. At first, sharing an isolated tent, the attraction is casual, inevitable, but something deeper catches them that summer.”, “In the 1950s, twenty-two-year-old Jenny Lee leaves her comfortable home to move into a convent and become a midwife in London’s East End slums. A marvellously subtle and informative account of the way the Hollywood film industry worked in its heyday and a book I wish I’d been able to write myself. Tauris, 2001. 32. Or André Bazin? A funny, droll, incisive, idealistic and perceptive collection of letters to friends and collaborators, colleagues and film-makers he admired (and fell out with). Vicious threats? The 40 best book-to-film adaptations ever. Akira by Katsuhiro Otomo. Named for a Russian writer by his Indian parents in memory of a catastrophe years before, Gogol Ganguli knows only that he suffers the burden of his heritage as well as his odd, antic name.”, “In No Country for Old Men, Cormac McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines.”, “In a voice more powerful and compassionate than ever before, New York Times bestselling author Elizabeth Strout binds together thirteen rich, luminous narratives into a book with the heft of a novel, through the presence of one larger-than-life, unforgettable character: Olive Kitteridge.”, “In this classic novel, Ken Kesey’s hero is Randle Patrick McMurphy, a boisterous, brawling, fun-loving rebel who swaggers into the world of a mental hospital and takes over. Farber on Film: The Complete Film Writings of Manny FarberManny Farber, Library of America, 2009, King Vidor, AmericanRaymond Durgnat and Scott Simmon, University of California Press, 1988, Pursuits of Happiness: The Hollywood Comedy of RemarriageStanley Cavell, Harvard University Press, 1981. In 2012, WIRED US readers voted Dune the best science-fiction novel of all time. Rents, Sick Boy, Mother Superior, Swanney, Spuds, and Seeker are as unforgettable a clutch of junkies, rude boys, and psychos as readers will ever encounter.”, “Charles Portis has long been acclaimed as one of America’s foremost comic writers. Kings of the Bs: Working Within the Hollywood SystemEdited by Todd McCarthy and Charles Flynn, Dutton, 1975. This may be a poor translation of Bazin, inadequately edited, but it was my generation’s first contact with cinema’s greatest post-war critic-philosopher and the godfather of the French New Wave. My favourite Kael collection because the period it covers (1973-75) coincides with so many of her true passions. The Camera and IJoris Ivens, International Publishers, 1969. The best film books, by 51 critics Geoff Andrew. For ‘The Work of Art in the Age of Mechanical Reproduction’ (1936), a jazz standard of an essay that writers have riffed on (and ripped off) ever since. “Considered by some to be the greatest novel ever written. Find out about international touring programmes, BFI Film Academy: opportunities for young creatives, Get funding to progress my creative career, Search the BFI National Archive collections, Read research data and market intelligence, Search for projects funded by National Lottery, Apply for British certification and tax relief, Get help as a new filmmaker and find out about NETWORK, Find out about booking film programmes internationally. An invitation to discovery on every page, and perhaps the best title for any film book yet published. Is a villain something that might crop up in future nightmares of yours? This depressed the hell out of me, but it’s a great read. and more sinister. Soshun: Früher Frühling von Ozu YasujiroHelmut Färber, Eigenverlag des Autors, 2006, Red Carsy David Cronenberg, Volumina, 2006. But despite what they have learned, they break into pieces under the first bombardment in the trenches. But the murder is not the most important thing on his mind. A book that revolutionised film studies. After years of professional disappointment, Michael Powell decided to write a passionate no-holds-barred autobiography that would tell the story of cinema as the 20th century’s folk art from the standpoint of one who had helped shape it. Like all autobiographies, Ivens’ leaves certain things out, but it’s a great testimony to political commitment and full of wisdom about the nature of documentary, which Ivens calls “a creative no-man’s land”. Mattie leaves home to avenge her father’s blood. This is Orson WellesOrson Welles and Peter Bogdanovich, edited by Jonathan Rosenbaum, HarperPerennial, 1992. I also prize the expanded original, Jean-Luc Godard par Jean-Luc Godard of 1985 – it’s only the first of two volumes, but still a doorstop at 638 pages. Charts the rise of the Fifth Generation out of nowhere to astonish the world. . But even more crucially, he understands how every general theory of cinema must start from its concrete particulars as an artform. While one could argue that caped crusaders, like Batman, Superman, and Captain America, are also book-to-movie adaptations, they technically hail from comic book strips. The first book to really explore what had happened to Spanish cinema post-Franco, rooting the argument in a discussion of how film-making had functioned under El Caudillo’s dictatorship. A Pictorial History of Horror MoviesDenis Gifford, Hamlyn, 1973. It is likely that your answers will reveal A Series of Unfortunate Events to be ill-suited for your personal use. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.”, “For more than two hundred years, the Owens women have been blamed for everything that has gone wrong in their Massachusetts town. Author(s): Sidney Lumet. This grasping of a unique career and life is an absolute model of diligence and wisdom. Grafe (1934-2002), in particular, combined a crisp, evocative, Barthesian style with a rigorous eye and brilliant mind. And those ‘witnessed years’, as he calls them, are the fulcrum of the book. Find the top 100 most popular items in Amazon Books Best Sellers. Harry Potter and the Sorcerer's Stone book. as one by one . Published to accompany a BFI documentary, this is a beautifully illustrated and very sharp-eyed tour through a century of American cinema by a true obsessive. Encompasses all film book categories: interview, yes, but also memoir, monograph, theory, picture book…. Harbinger of the theory boom of the 1970s, but much more readable than most of what followed. As befits his flinty films, Melville is a pugnacious, affectionate and slightly melancholy observer: sanguine and unequivocal about the daring with which his films were made. He becomes Norrell’s student, and they join forces in the war against France. Next, an interview book: Jon Halliday’s extended conversation Sirk on Sirk: Interviews with Jon Halliday (Secker & Warburg, 1971) hints at profound connections between European and American cinema and the sophisticated passage between the two cultures – connections deepened and cemented by my more or less simultaneous discovery of Andrew Sarris’ extraordinary handbook (compact and encyclopaedic at the same time) The American Cinema: Directors and Directions 1929-1968. Brimming with ideas and beautifully written. As a postgrad studying aesthetics, I was enthralled to find an English-language philosopher who understood cinema! Or either of the two wise Gilberts (Perez and Adair)? Recently we’ve seen the screen debuts of such hits as Big Little Lies, The Handmaid’s Tale, and American Gods, and there are so many more books made into movies in the works. But when she finds love with her sardonic employer, Rochester, the discovery of his terrible secret forces her to make a choice. Rich in character and satire, the novel is set in 1941 and framed cleverly as an “abridged” retelling of a centuries-old tale set in the fabled country of Florin that’s home to “Beasts of all natures and descriptions. Thirteen years on, many of the 180 interviewees have died. It’s lucky for Sophie that he is. A good place from which to steal. He is honest and self-lacerating about his own foibles and equally caustic about those of others. From Caligari to Hitler: A Psychological History of the German FilmSiegfried Kracauer. A horrific mass murder invades the lives of victims and victimizers on both sides of the law. introduced me to a different way of thinking about film and Christian Metz’s [two-volume] Essais sur la signification au cinéma (Klincksieck, 1968 and 1972) took things to a whole new level – even if the air up there was sometimes a little too thin to breathe. High, University of Wisconsin Press, 2003. But the bonds they share will bring them back—almost as if by magic…”, “In the summer of 1953, two eleven-year-old boys—best friends—are playing in a Little League baseball game in Gravesend, New Hampshire. There are so many wonderful writers out there. We may know much more today about what really happened, but Leyda’s judgements were shrewd and his sheer enthusiasm is still infectious. A Discovery of CinemaThorold Dickinson, OUP, 1971, Reeling By Pauline KaelFilm as a Subversive Art By Amos Vogel. Atonement (Ian Mcewan) 34. A dark reworking of Henry James’s The Ambassadors, The Talented Mr. Ripley serves as an unforgettable introduction to this smooth confidence man, whose talent for murder and self-invention is chronicled in four subsequent Ripley novels.”, “One of the most important and enduring books of the twentieth century, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Despite the near-constant adaptation of books made into movies, “the book was better” seems like a popular refrain among readers. These aphoristic memos from the legendary director are often as inscrutable as Zen Buddhist koans, yet reflecting on them can produce a similar enlightenment. Dictionary is not the most important film genre Renoir this is the killer and will of! – the Pascal ’ s movies here seven-year stretch in the long-reviled of! 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